

The year after 1989's Batman, Tim Burton brought another lonely, black-clad brooder-of-few-words to the screen in this fantasy drama. The Caped Crusader was more brawn and stunty heroism, and young Edward Scissorhands (Johnny Depp) was a boyish innocent, both wanted to fit into the everyday worlds that fate had separated them from. Both spent too much time in big dark houses…wondering about the sunlight and the love and the levity just outside.
Assembled by a lonely inventor (Vincent Price) who just wanted a friend that he could impart his wisdom to, Edward watched his creator pass on right in front of him -- and right before he had a chance to give Edward a pair of human hands. Edward spends his long, lonely days sculpting hedges and nicking his face…until a scrappy Avon lady Peg Boggs (Dianne Wiest) wanders up to the late Inventor’s mansion, hoping to peddle a lipliner or two. Peg doesn’t make a sale, but when she meets poor Edward, her fix-everything, love-everyone instincts kick right in. The boy with the cutlery digits is coming home with her, and that, as it might say in the Avon handbook, is all there is to it.
Wandering through the Boggs household and admiring the family pictures, Edward might just have a shot at the family he wants. Of course, Peg’s daughter Kim (Winona Ryder, in long golden locks) sneers at first -- she’s a regular high-schooler in a regular suburbia, after all, and he’s different. And Kim’s not the only one. The local house fraus have a mean thing or two to say, and a mean look or two to throw, but Edward treads right through the disapproval, softly and quietly and only destroying one waterbed in his wake. The youngest Boggs, Kevin, brings Edward to his class’ show and tell…and there’s not a suburban madam out there who can’t sniff out a good, cheap haircut when it’s in her midst. So, Edward coifs hair and topiaries galore and any canine that’s lucky enough to trot by. The neighborhood doesn’t look so generic anymore, and Edward’s a block celebrity. Peg’s special astringent has soothed the cuts on his face, and her family, of which he’s now a part, has soothed his heart.
But this is a fairy tale, and sooner or later, fairy tales always make it hard on their outsiders. And sometimes they need bad guys and calamity to make their points and teach their lessons. Enter Kim’s boyfriend, Jim (the mock turtle-necked Michael Anthony Hall, who looks to have bench-pressed his way right out of the old John Hughes geek mold). Jim’s no fan of the pasty new guy. He’d have you believe that’s because he’s protective and chivalrous, but really -- he just knows his lady has fallen in love with someone else. And in high school or cardboard cutout suburbia, as in anywhere, that can drive a person mad.
The image of Kim twirling in the snow -- sweetly inclement weather that’s brought to the always-sunny suburbs by Edward’s fervent ice sculpture habit -- is a memorably romantic one. The aging Kim tells us in narration that she’s known to dance in the snow still. Tim Burton fans are certainly accustomed to scenic eye-candy, but not always to eye-drizzle. We have one thing going for us at least, and one advantage over this movie’s winning title character -- at least we don’t scratch ourselves when we wipe them away.
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