

"I know you are, but what am I?"
The tagline described this 1985 fantasy comedy live action cartoon-come-to-life as “the story of a rebel and his bike”. But this was more than a rebel yarn—this was a quest.
This was also Tim Burton’s live-action directorial debut, but all his years in animation showed. From the cartoony production design alone, we know that Pee-Wee Herman’s world isn’t a normal one. Not a lot of earth tones or grit here—no shadows, no cynicism, and any little thing can warrant a giggle. If happy little kids ran the world, this is what it would be.
Pee-Wee lives in a sparkling, gadget- and toy-filled house. He has a Rube Goldberg contraption to ready his orange juice and “Mister T” cereal in the morning, he has ample scotch tape, and best of all, he has his beloved souped-up Red Racer bike, which he keeps safe and sound at a state-of-the-art storage facility.
One sunny morning, Pee-Wee retrieves his bike and rides to the magic store, where x-ray glasses and boomerang bow ties are the order of the day, and when he comes out, horror of all horrors, his bike is gone. Pee-Wee’s first suspect is rich kid Francis, who has always been jealous of the gleamin' two-wheelin’ machine, but a corrupt psychic informs the desperately gullible Mr. Herman that actually, the basement at the Alamo is the place to look.
So the Texas-bound quest is on. In the course of the road trip, Pee-Wee meets an escaped convict, a rude child star, a truck driver/ghost named Large Marge, the huge boyfriend of flirty waitress Simone, and your everyday menacing biker gang. But in the face of every danger, Pee-Wee either escapes or works his charm. A rousing dance number rendition of “Tequila” gets him in with the bikers, and he borrows one of their steel horses for a leg of his journey—hence the memorable long shot of Pee-Wee riding right up to, and then up into, a billboard (from which only the bike comes back out).
After a tour of the Alamo (hosted by gum-chewing Saturday Night Live vet Jan Hooks) and integrating with all his new Lone Star State friends, Pee-Wee’s Arthurian quest takes him to Hollywood, where a movie studio chase turns "P.W." into both a felon and a potential movie star.
Pee-Wee's Big Adventure was written by the man behind the tight gray suit, Paul Reubens, along with Michael Varhol and SNL’s late Phil Hartman. The movie was also infused with a well-loved, the-circus-is-in-town kind of score by Danny Elfman.
A sequel, Big Top Pee-Wee, directed by Randall Kleiser, would follow in 1988. The man-child also starred in his own CBS Saturday morning kids’ show, Pee-Wee’s Playhouse, which thrilled kids with its talking furniture and puppets, wrangling an adoring adult following as well.
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